Category Archives: Canticles

Listening to Britten – Canticle V: The Death of Saint Narcissus, Op.89

Ruined Chapel, Isle of Mull, 1975 by John Piper. (c) The Piper Estate. Image used courtesy of Tate Canticle V: The Death of Saint Narcissus, Op.89 – for tenor and harp (12-22 January 1971, Britten aged 57) Dedication In loving … Continue reading

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Listening to Britten – Canticle IV: Journey of the Magi, Op.86

The Tower of Fawley Church, Bucks, 1970 by John Piper. (c) The Piper Estate. Image used courtesy of the BBC Canticle IV: Journey of the Magi, Op.86 – for countertenor, tenor, baritone and piano (12-22 January 1971, Britten aged 57) … Continue reading

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Listening to Britten – The Heart of the Matter

Baptistry window by John Piper, at Coventry Cathedral Photo (c) Steve Cadman (from Wikipedia) The Heart of the Matter – for speaker, tenor voice, horn and piano (May 1956, Britten aged 42) Prologue – Fanfare: Where are the Seeds of … Continue reading

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Listening to Britten – Canticle III: Still falls the rain, Op.55 (The Raids, 1940, Night and Dawn)

Interior of Coventry Cathedral, 15 November 1940 by John Piper. (c) The Piper Estate Canticle III: Still falls the rain, Op.55 (The Raids, 1940, Night and Dawn) – for tenor voice, horn and piano (27 November 1954, Britten aged 40) … Continue reading

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Listening to Britten – Canticle II: Abraham and Isaac, Op.51

Honey Church, Devon by John Piper (1985). (c) The Piper Estate Canticle II: Abraham and Isaac, Op.51 – for alto and tenor voices and piano (January 1952, Britten aged 38) Dedication Kathleen Ferrier and Peter Pears Text Chester Miracle Play: … Continue reading

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Listening to Britten – Canticle I: My Beloved is Mine, Op.40

Monument, Boxted by John Piper (1947). (c) The Piper Estate Canticle I: My Beloved is Mine, Op.40 – for high voice and piano (4 – 12 September 1947, Britten aged 33) Dedication This Canticle was written for the Dick Sheppard … Continue reading

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Listening to Britten – What is a Canticle?

Antechapel window, Robinson College Chapel, Cambridge, 1978-80 by John Piper. (c) The Piper Estate As Listening to Britten approaches another important area of the composer’s output, I thought it would be useful to get some context on what constitutes a … Continue reading

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