Lowestoft Lowlight – image courtesy of the Malcolm R. White website http://www.maritimelowestoft.co.uk
Epitaph: The Clerk – song for voice and piano (1926, Britten aged 12) (revised summer 1968)
Dedication not known
Text Herbert Asquith
Background and Critical Reception
Britten sets the first verse only of Herbert Asquith’s poem, the last of a group of three that tend to be recorded together – Beware! and O that I had ne’er been married being the other two. I could find no documentation on this song, which implies it is not regarded as greatly significant.
The Epitaph begins rather sternly, with bold spread chords from the piano leading straight to a proud declamation from the baritone, at which the piano accompaniment leans on the creeping, chromatic left hand, possibly in reference to the text that has the clerk ‘toiling at his ledgers in a city grey’.
Philip Smith (baritone), Malcolm Martineau (piano) (Onyx)
Neil Mackie (tenor), Roger Vignoles (piano) (EMI)
Mackie and Vignoles are quicker and more urgent, a full 20 seconds so, and Vignoles brings out the piano’s right hand octaves really well. This is less easy to hear on the Onyx version, where Martineau’s piano sounds rather distant, as if in another room.
Also written in 1926: Shostakovich – Symphony no.1
Next up: Sonata for cello and piano